This first French-language monograph spans over forty years of the work of Paz Errázuriz, a major figure in Chilean photography. From her earliest series in the 1970s to her most recent and previously unpublished works, such as Ñuble, Próceres and Sepur Zarco, her images reflect a deeply feminist and social commitment. She turns her lens toward those made invisible, those living on the margins — a practice that resonates even more strongly today, echoing the upheavals of contemporary society.
The publication accompanies the artist’s first solo exhibition in a Parisian institution, at the Maison de l’Amérique latine, curated by Béatrice Andrieux.





